Abstract: Kant systematically examines the concept of teleological aesthetics in his Critique of Judgment, establishing it as a pivotal framework for interpreting the purposive nature of objects and its implications for learners' cognition. He identifies two distinct modes of manifestation within aesthetic experience. The subjective mode demonstrates how the formal harmony between objects and perceptual faculties operates independently of conceptual presuppositions, thereby facilitating the synthesis of intuition and understanding. While the objective mode investigates the alignment of formal properties with a priori conceptual frameworks, elucidating how aesthetic forms mediate between empirical phenomena and cognitive schemata. Through this dualistic analysis, Kant reveals that aesthetic experience transcends mere sensory gratification to engage higher-order cognitive operations. Ultimately, teleological aesthetics postulates a universal principle that bridges particular aesthetic judgments with universal cognitive validity.